{"id":131844,"date":"2013-11-05T14:42:32","date_gmt":"2013-11-05T13:42:32","guid":{"rendered":"http:\/\/www.madrimasd.org\/blogs\/Madridescorte\/?p=131844"},"modified":"2013-11-05T14:42:32","modified_gmt":"2013-11-05T13:42:32","slug":"publicaciones-miembros-iulce-3","status":"publish","type":"post","link":"https:\/\/www.madrimasd.org\/blogs\/Madridescorte\/2013\/11\/05\/131844","title":{"rendered":"PUBLICACIONES MIEMBROS IULCE"},"content":{"rendered":"

\"\"<\/a>K. Jonckheere (ed.), Michiel Coxcie (1499-1592) and the Giants of His Age, Brepols, 2013, ISBN: 978-1-909400-14-6, 208 pp. Editado en ingl\u00e9s<\/strong><\/p>\n

\n

Con motivo de la exposici\u00f3n Miguel Coxcie, el Rafael flamenco <\/em>que se celebra en el Museo M de Lovaina (31 de octubre de 2013-23 de febrero de 2014) se ha editado un cat\u00e1logo monogr\u00e1fico sobre este pintor cortesano al servicio de la Casa de Austria. Nacido en Malinas hacia 1499 y fallecido en la misma ciudad en 1592 ser\u00eda uno de los principales artistas al servicio de la Contrarreforma en los Pa\u00edses Bajos. Su formaci\u00f3n en Roma y el conocimiento de t\u00e9cnicas como el fresco propiciaron tambi\u00e9n que introdujese los postulados del Renacimiento Italiano en Flandes. De regreso a Bruselas en 1540, entr\u00f3 al servicio de Carlos V y de su hermana la gobernadora Mar\u00eda de Hungr\u00eda. Aparte de su actividad como pintor, proporcion\u00f3 dise\u00f1os para vidrieras (como los retratos orantes de los reyes en Santa Gudula de Bruselas) y tapices hoy conservados en la colecci\u00f3n real espa\u00f1ola. Decor\u00f3 el palacio de Binche para las fiestas en honor del joven pr\u00edncipe Felipe en 1549 y pint\u00f3 importantes cuadros devocionales y retratos para Mar\u00eda de Hungr\u00eda y Carlos V, algunos de los cuales se trajeron a su retiro en Espa\u00f1a. Su versatilidad hizo que Felipe II lo asumiera a su servicio pintando para \u00e9l sobre todo tablas para ornamentar el monasterio de El Escorial y copias de primitivos flamencos, como la del retablo de San Bav\u00f3n de Gante (por los hermanos Van Eyck) que presidi\u00f3 la capilla del alc\u00e1zar madrile\u00f1o hasta bien entrado el siglo XVII.<\/p>\n

Michiel Coxcie lived to the age of 93 and witnessed all the important political, religious, economic and artistic upheavals of the sixteenth century. He was born just before Gerard David raised the art of the Flemish Primitives to its final pinnacle and did not die until the young Rubens had returned to Antwerp from Cologne. He must have known Quinten Metsijs, Joos van Cleve and Pieter Coecke van Aelst. Willem Key and Frans Floris were younger contemporaries, and Bruegel was of the next generation. He outlived them all. During his time in Italy in the 1530s he knew Michelangelo, and was said to be a friend of Giorgio Vasari. Titian, the Venetian prodigy, sent him pigments to help him finish his copy of Jan van Eyck\u2019s Adoration of the Mystic Lamb, and he even painted frescoes in the old Basilica of St Peter in Rome. Few people have led such a fascinating life as Michiel Coxcie. He was a celebrated painter, inundated with prestigious commissions from important clients. He had spent some ten years in Rome where he studied classical antiquity and the art of Renaissance masters like Raphael, Michelangelo and Da Vinci. Back in his the low Countries, Coxcie designed altarpieces, stained-glass windows and tapestries for clients in Brussels, Antwerp and Mechelen. The pinnacle of his career was his appointment as court painter to Emperor Charles V and Philip II. This book explores the multifaceted oeuvre of this talented master.<\/em><\/p>\n

Tabla de contenidos<\/p>\n

Prefacio y agradecimientos. Estudios:<\/p>\n

Peter Carpreau, ‘Vanished like smoke along with fleeting time’: Michiel Coxcie’s Lost Reputation<\/em><\/p>\n

Koenraad Jonckheere and Ruben Suykerbuyk, The Life and Times of Michiel Coxcie 1499-1592<\/em><\/p>\n

Eckhard Leuschner, The Young Talent in Italy<\/em><\/p>\n

Koenraad Jonckheere, Michiel Coxcie and the Reception of Classical Antiquity in the Low Countries<\/em><\/p>\n

Almudena P\u00e9rez de Tudela, Michel Coxcie, Court Painter<\/em><\/p>\n

Koenraad Jonckheere, Fist Painter of the Counter-Reformation<\/em><\/p>\n

Melina Reintjens, The Habsburg Windows in Brussels Cathedral<\/em><\/p>\n

Joris Van Grieken, Publish or Perish: Michiel Coxcie in Print<\/em><\/p>\n

Fichas de cat\u00e1logo y lista de obras expuestas- Bibliograf\u00eda \u2013 \u00cdndice y Cr\u00e9ditos Fotogr\u00e1ficos.<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

K. Jonckheere (ed.), Michiel Coxcie (1499-1592) and the Giants of His Age, Brepols, 2013, ISBN: 978-1-909400-14-6, 208 pp. Editado en ingl\u00e9s Con motivo de la exposici\u00f3n Miguel Coxcie, el Rafael flamenco que se celebra en el Museo M de Lovaina (31 de octubre de 2013-23 de febrero de 2014) se ha editado un cat\u00e1logo monogr\u00e1fico sobre este pintor cortesano al servicio de la Casa de Austria. Nacido en Malinas hacia 1499 y fallecido en la misma ciudad en 1592 ser\u00eda uno de los principales artistas al servicio de la Contrarreforma en los Pa\u00edses Bajos. Su formaci\u00f3n en Roma y el\u2026<\/p>\n","protected":false},"author":124,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0},"categories":[495,42863,1,42862,52,47],"tags":[],"blocksy_meta":{"styles_descriptor":{"styles":{"desktop":"","tablet":"","mobile":""},"google_fonts":[],"version":4}},"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.madrimasd.org\/blogs\/Madridescorte\/wp-json\/wp\/v2\/posts\/131844"}],"collection":[{"href":"https:\/\/www.madrimasd.org\/blogs\/Madridescorte\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.madrimasd.org\/blogs\/Madridescorte\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.madrimasd.org\/blogs\/Madridescorte\/wp-json\/wp\/v2\/users\/124"}],"replies":[{"embeddable":true,"href":"https:\/\/www.madrimasd.org\/blogs\/Madridescorte\/wp-json\/wp\/v2\/comments?post=131844"}],"version-history":[{"count":3,"href":"https:\/\/www.madrimasd.org\/blogs\/Madridescorte\/wp-json\/wp\/v2\/posts\/131844\/revisions"}],"predecessor-version":[{"id":131848,"href":"https:\/\/www.madrimasd.org\/blogs\/Madridescorte\/wp-json\/wp\/v2\/posts\/131844\/revisions\/131848"}],"wp:attachment":[{"href":"https:\/\/www.madrimasd.org\/blogs\/Madridescorte\/wp-json\/wp\/v2\/media?parent=131844"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.madrimasd.org\/blogs\/Madridescorte\/wp-json\/wp\/v2\/categories?post=131844"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.madrimasd.org\/blogs\/Madridescorte\/wp-json\/wp\/v2\/tags?post=131844"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}